Calendar An icon of a desk calendar. Cancel An icon of a circle with a diagonal line across. Caret An icon of a block arrow pointing to the right. Email An icon of a paper envelope. Facebook An icon of the Facebook "f" mark. Google An icon of the Google "G" mark. Linked In An icon of the Linked In "in" mark. Logout An icon representing logout. Profile An icon that resembles human head and shoulders. Telephone An icon of a traditional telephone receiver. Tick An icon of a tick mark. Is Public An icon of a human eye and eyelashes. Is Not Public An icon of a human eye and eyelashes with a diagonal line through it. Pause Icon A two-lined pause icon for stopping interactions. Quote Mark A opening quote mark. Quote Mark A closing quote mark. Arrow An icon of an arrow. Folder An icon of a paper folder. Breaking An icon of an exclamation mark on a circular background. Camera An icon of a digital camera. Caret An icon of a caret arrow. Clock An icon of a clock face. Close An icon of the an X shape. Close Icon An icon used to represent where to interact to collapse or dismiss a component Comment An icon of a speech bubble. Comments An icon of a speech bubble, denoting user comments. Comments An icon of a speech bubble, denoting user comments. Ellipsis An icon of 3 horizontal dots. Envelope An icon of a paper envelope. Facebook An icon of a facebook f logo. Camera An icon of a digital camera. Home An icon of a house. Instagram An icon of the Instagram logo. LinkedIn An icon of the LinkedIn logo. Magnifying Glass An icon of a magnifying glass. Search Icon A magnifying glass icon that is used to represent the function of searching. Menu An icon of 3 horizontal lines. Hamburger Menu Icon An icon used to represent a collapsed menu. Next An icon of an arrow pointing to the right. Notice An explanation mark centred inside a circle. Previous An icon of an arrow pointing to the left. Rating An icon of a star. Tag An icon of a tag. Twitter An icon of the Twitter logo. Video Camera An icon of a video camera shape. Speech Bubble Icon A icon displaying a speech bubble WhatsApp An icon of the WhatsApp logo. Information An icon of an information logo. Plus A mathematical 'plus' symbol. Duration An icon indicating Time. Success Tick An icon of a green tick. Success Tick Timeout An icon of a greyed out success tick. Loading Spinner An icon of a loading spinner. Facebook Messenger An icon of the facebook messenger app logo. Facebook An icon of a facebook f logo. Facebook Messenger An icon of the Twitter app logo. LinkedIn An icon of the LinkedIn logo. WhatsApp Messenger An icon of the Whatsapp messenger app logo. Email An icon of an mail envelope. Copy link A decentered black square over a white square.

JIM CRUMLEY: We’re so obsessed with our economic health we’ve lost the capacity to remain healthy

Doune Castle, Perthshire, one of the major locations for the hit TV show, Outlander, has seen a huge increase in visitor numbers.
Doune Castle, Perthshire, one of the major locations for the hit TV show, Outlander, has seen a huge increase in visitor numbers.

Something about the euphoria that greeted Scotland’s new flavour-of-the-month status in British tourism made me shudder.

Something about the celebratory smugness that greeted new numbers of visitors and new millions of pounds generated while Edinburgh strangles its own infrastructure, while the human waste piles up along the roadsides of the North Coast 500, while disgorged cruise liners clog the streets of Kirkwall and motorhomes throttle the skinny back roads of Skye, while carefree mobs picnic on the battlefield at Culloden… something about all that made me reach for my bookshelves and sanity.

I found it at once because I know where sanity lies in my bookshelves. It lies in a book called A Sand County Almanac. In particular it lies in the foreword which is signed off: “Aldo Leopold, Madison, Wisconsin, 4 March 1948”.

The book wasn’t published until after his death, so more than 70 years ago, Aldo Leopold already knew this much: “Our bigger-and-better society is now like a hypochondriac, so obsessed with its own economic health as to have lost the capacity to remain healthy.”

There, in 26 words, is the nub of our condition. The bottom line for everything which we pronounce to be a success is whether or not it will be good for the economy. Whether or not it will be good for our land, whether or not it will serve the cause of beauty, whether or not it will enhance our quality of life, and whether or not it will enhance the quality of life and the diversity of those tribes of nature with which we share this land… these are considerations that do not enter into the equation.

In innumerable ways, A Sand County Almanac is the best work of nature writing in the language we call English, full of insight and timeless truths. In 70 years, it has never been out of print. Its focus may be the American landscape, but its truths are eternal and its prophecies are global in their reach.

Leopold’s brief foreword is divided into three sections. The final one, from which the quote above is taken, begins thus: “We abuse land because we regard it as a commodity belonging to us. When we see land as a community to which we belong, we may begin to use it with love and respect. There is no other way for land to survive the impact of mechanized man, nor for us to reap from it the aesthetic harvest it is capable, under science, of contributing to culture.

“That land is a community is the basic concept of ecology, but that land is to be loved and respected is an extension of ethics. That land yields a cultural harvest is a fact long known, but latterly often forgotten.”

The foreword’s final sentences set up everything that follows: “Nothing could be more salutary at this stage than a little healthy contempt for a plethora of material blessings. Perhaps such a shift in values can be achieved by reappraising things unnatural, tame, and confined, in terms of things natural, wild and free.”

A small symptom of all that is Doune Castle, halfway between Dunblane and Callander. I have known this place for 40 years, the extraordinary power of the building’s 15th Century architecture, and the quiet beauty of the uncoiling River Teith below its rock plinth. Kingfishers, sandpipers, dippers, grey wagtails, otters and pine martens are among the natives, and the riverside paths have always delighted the native people.

Then, in quick session, the castle was claimed by Ivanhoe, Monty Python, Game of Thrones and Outlander, and while VisitScotland clucks and struts its approval, the dignity of the 600-year-old architecture and the unhampered progress of “things natural, wild and free” have been trashed.

The place is on every tour operator’s must-see list, and what I think of as tripadvisor syndrome has the place by the throat. The access road is, well, mediaeval, and narrower than some of the hundreds of coaches that creep down it towards a small car park that can’t handle the number of cars that want to use it, far less the campervans and motorhomes. The one-way system of entering and leaving the car park is not negotiable for coaches and motorhomes, but that doesn’t stop them trying. Chaos has become routine.

The surroundings of the castle are plagued with loud crowds of dropped-off tour parties, who sit around ignoring the castle and admiring their phones. The wildlife of the river is mostly elsewhere.

From Venice to Barcelona to London, those who have to live with the consequences of a berserk tourist industry are fighting back. In Scotland, we need to think twice, and do it now, before we become “so obsessed with our economic health that we lose the capacity to remain healthy”.